Showing posts with label 12x12. Show all posts
Showing posts with label 12x12. Show all posts

Friday, July 25, 2014

Writing Space - Part 2



As long as it’s quiet, I’m not too fussy about my actual physical writing space. But finding the quiet space, ah, there’s the rub.
If I’m at home and no one else is around, I prefer working on the kitchen table.. It meets three important criteria.

1.      It’s close to the range so I can make copious amounts of tea.
2.      It has good lighting.
3.      And I like to look out a window now and then.

But when I want to write and I’m not alone at home—I head to my “office.” That's what happens most of the time.
The space I call my office probably wasn’t intended to serve that purpose. You have to walk through the bedroom to get to it. I’m guessing that when the house was built, the space was meant for extra storage or a sitting area. But our family isn’t “sitting alone by ourselves” kind of people, so for the first year or so after we moved here the space was empty.

If you tried to walk around the perimeter of the room you would bonk your head because the walls angle in, following the roof line. But you don’t need all that much headroom if you’re seated!
My amazing husband took a sheet of plywood and laminated the top to make it smooth and pretty. Voila! A huge desk, perfect for the way I like to spread out and look at drafts while I revise (which I do a lot of). With the walls painted the both soothing and inspirational colors of the air/sea and jungle, I am happily settled in. Artwork make by my children is over my left shoulder.

The only problem with the space is that it’s over the unheated garage. Even though it has one heating vent, if any heat comes out of it, I have never felt it. A small space heater, parked directly behind my chair, solves this issue in the colder months.
I have to go downstairs to refill my mug, but that’s not altogether a bad thing. I don’t know if it’s the blood flow to my brain or the change of scenery but walking around often helps me find the right words when I’m stumped.

I’ve tried to write on a treadmill, but I’m not that coordinated. The treadmill I tried to work on wasn’t a fancy set-up intended for writing and I found I could either walk and hold the pad, or hold the pad and write, but every time I tried to hold the pad in place and write I ended up sliding precariously backwards. It’s okay. I can shoot a decent free throw. Writing while walking isn’t a necessary skill. 

I’ll bet a lot of people won’t agree with me here, but I believe that one extra bonus of the “office” is that our wireless network signal doesn’t reach there (yes, the router is ancient!). This means no cheating with peeks on the internet. When I need to do research, I have to come downstairs. And that’s a little inconvenient. But I’d rather have it this way. In my writing space there’s no email, no Facebook. Just me and my writing. 

And the best thing the office space has going for it compared to the kitchen is—I can leave it as messy as I want. If I’m mid-thought when I have to stop, it’s no problem. Paper can stay where I left it. I don’t have to constantly shuffle through the stack again, trying to find the places where I marked my notes. It’s a wonderful thing.
Do you have a special place where you get your best writing done?

Finally, the winner of the giveaway announced last week on my post about the 12x12 picture book group--drum roll, please--Everyone's a winner! When I pulled one name out of the hat, the other slips of paper looked so forlorn. And I know how excited I am when I get a new book to read. So, this time the only luck you needed was to have commented on that blog post during the one week period that ended today. I'll be contacting the winners later today to get mailing information.

Tuesday, June 11, 2013

More Writing Inspiration



Lots of good news!
I had a little celebration yesterday. I learned that my tongue-in-cheek poem “Elegy to My Hotel Bed” is included in the July/August issue of the SCBWI Bulletin. I haven’t received my hard copy of the Bulletin yet, but a friend who had checked the publication online alerted me. Appropriately, when it was released online I was staying in a hotel to attend the New Jersey SCBWI conference. I hadn’t known when the poem would appear, so that was a nice surprise.

More good news?
Last weekend I met several of my online writing friends. As a member of Julie Hedlund’s 12x12 picture book challenge group I have connected with numerous people I had never met face-to-face. I had been exchanging manuscripts with Marcie Colleen for several months and finally got to see the personality behind the words! I’m sorry to say I didn’t meet all the 12xer’s who were there, but that just means I’ll have to attend another event. Katie Davis made AMAZING pins that we can proudly sport to any writing conference. 

Is that all the good news?
Nope. The rain wasn’t the only thing that came in torrents last weekend. Inspiration flooded into my work. I hate writing about the conference in the past tense; I want to hold onto that energizing feeling.
I’ll try to summarize a few high points of the workshops I attended. I’ll start today and continue over the following weeks.
I arrived before lunch on Friday to attend Heather Alexander’s pre-conference Intensive, “Voice Lessons – Defining Character Through Voice.” Heather used two music videos of the same song performed by different artists (it’s been awhile since I listened to Nirvana!) to illustrate the impact of different voices.
Something I’ve been working on in one of my own manuscripts is strengthening the interior voice, making sure the emotional stakes for my character are put on the pages and not just in my head. Heather said that this is a key element often missing in submissions, and without it a reader can’t understand what is truly important to the characters. This means another look at my pages . . . . 

Photo courtesy of Heather Alexander
Heather used several writing exercises to bring her points home. I left with a list of books to read (or reread) including Okay for Now, The Evolution of Calpurnia Tate, and Origami Yoda.
After the intensive I had a critique with editor Rotem Moscovich from Disney/Hyperion. Over the course of the weekend I heard some people say they hadn’t signed up for intensives because they weren’t “ready.” My advice is that critiques with professionals are an amazing opportunity that everyone can learn from. They can help you get from not ready to ready. The object isn’t always to get an immediate contract offer (although that would be nice!), the object is to improve craft and move forward. If you don’t want to show an agent or editor something that really “isn’t ready,” there were critiques with amazing authors who have been down the same path and were willing to share their expertise. I had one of those as well.
Friday night at the mix and mingle I eschewed standing in line for food over talking to people. I left hungry, but happy. The other writers, agents and editors I spoke with were genuinely engaging folks.But no wonder. The entire writing community is focused on bringing great books to kids, certainly something to be happy about!


Tuesday, January 29, 2013

Chris Cheng's Picture Book Workshop--Learning from Experience



Chris Cheng and Eastern PA SCBWI RA Marilyn Hershey

On Sunday, January 27, 2013 the dynamic Chris Cheng was the workshop leader for the Eastern Pennsylvania’s SCBWI chapter picture book event. It was a frigid day in Philadelphia, but despite the weather approximately thirty people turned out for the event.
If you haven’t “met” Chris, I suggest you visit his website. Chris has a fascinating background, teaching at the Taronga Zoo in Sydney, Australia and working as a bookseller. Now, Chris is a full-time author, with more than twenty years of experience in the business. If you have a question, Chris probably knows the answer. Chris just asked that people from the workshop wait two weeks to contact him as he is quite busy in the U.S. until then. The U.S. version of his picture book Python, is being released later this week.

Some of the big “take home” messages from Chris’ presentation.

1.                          If there is a single thing you aren’t sure about in your manuscript. A single thing you might change—don’t send it off. “You only get one bite at the cherry!” Chris worked ten years on one poem before he submitted the manuscript that became his book Spooky Sounds. That is not a typo—he worked ten years on one poem BEFORE he submitted.
2.                          Be part of the writing community. Chris is RA for the Australian/new Zealand SCBWI and believes that workshops and the exchange of ideas between writers will make your work better. (this puts the 12x picture book group in good stead :))
3.                          Write a good story. Chris spent time talking about book trailers and digital publishing. But he kept reminding us that this part of the writer’s journey isn’t important until we have written a good story --a story that avoids being preachy or message driven. Even for author/illustrators, finish story-boarding the story before you submit. It’s all about the story.

Chris started his career submitting without an agent. He did recommend that if a writer is lucky enough to sell to a publisher, then contact an agent right away (Use the SCBWI’s "THE BOOK"). Chris uses an agent now.
Interestingly, Chris doesn’t use a critique group for his own work. He works on it, solo, until he believes it is the best it can be and then he submits it to his agent. 

One key message I got from my day with Chris is to be hard on ourselves. Be professional. Be tough with our work. Don’t put out bad products, written or digital. When you dip your toes into the big pond that is the writing industry you are building a reputation. Spend the time. Put in the work. Be sure that your work is the best it can be.
If you have the chance to attend an upcoming workshop with Chris, I recommend you sign-up.
Chris took a great photo of our group--I'm in the second row! In the pink, as the saying goes.

Yesterday, Marcie Colleen (one of the 12x picture book group) had a post about combining passion and mastery. If you didn't have a chance to read her post and if I haven't inspired you to sign up for a workshop yet, she will! She's inspired me to look for another.

I also had the pleasure of attending a friend and fellow writer’s author appearance at the Doylestown Library last weekend. My post about that event with children's author Debbie Dadey will be forthcoming.

Tuesday, January 8, 2013

Meet Katia Raina and the Gimme 31 challenge



Today I am guest posting on Katia Raina's blog.

If you haven’t met Katia, I encourage you to click over (above) and say hi. Katia is just starting the MFA program in Writing for Children and Young Adults from the Vermont College of Fine Arts. She writes novels for young adults and is represented by Jessica Regel of the Jean V Naggar Literary Agency. Her first novel, “Castle of Concrete,” will be published by Namelos.

But she is writing YA and I write picture books and middle grade fiction. What do we have in common you might ask? We’re both moms with two kids, but that isn’t the important bit. We "met" online when I became aware of Katia's commitment to her craft.

The writing community is amazing. It doesn’t matter what you write. I’m sure there are outliers, but the folks I have been fortunate to meet in person, online, are generous spirits. This is a concrete example of a win-win community. Katia and I both have dreams. Writing dreams. Dreams to be the best writers we can be. And we are sharing her "Gimme 31" goal to pursue the dream EVERY DAY.

Check back with me here on Friday for my post on another amazing writing community—Julie Hedlund's picture book 12x12 'ers. It doesn’t matter what you write—the inspiration is out there!

Please leave a comment for me or Katia. We’d love to hear where you find your writing inspiration! Thanks.